Guitar...

Could You Be Loved – Guitar Break

02016-12-02 @ 12:12

I posted a short video clip of me playing the guitar break for “Could You Be Loved” on Instagram a couple of days ago:

https://www.instagram.com/p/BNdDAsxgfpg/
Here is a guitar break I came up with this fall, for one of the pieces we played on tour. I remember showing a few funk riffs to the late dancer Vicente Romero years ago. He told me I had to find a way to play that on the flamenco guitar. Since I don't play with a pick (plectrum) it took me a long time to figure out a way to use my index finger nail to do this. I recorded this with my iPhone.

May 2016

02016-05-25 @ 10:05

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Guitar Microphone

02016-04-11 @ 10:04

This Earthworks SR40 is the microphone I have been using on my guitar for over a year now. I haven’t used it for recording in the studio yet, but it’s handsdown the best microphone for the stage I have ever used… and I have used a lot of different ones!

We are often asked which gear or tricks we use to ensure the guitar is loud enough, especially since I refuse to use a pickup on my guitars – I haven’t used a pickup on my flamenco guitars in at least a decade and a half.

Let’s face it, classical or flamenco guitars are puny and quiet instruments when compared against electric bass guitar, drums and keyboards. With this microphone we always have enough level and we don’t have to worry about feedback.

Of course sound level isn’t everything, the quality of the sound is just as important. I feel that this mic gives me the truest guitar tone and makes hearing what I’m playing a pleasure. And that is something we guitar players cannot take for granted.

Here is what Earthworks writes about this microphone:

You’ll love what the Earthworks SR40 high-definition cardioid mic does for your recordings and live performances. Its 30Hz-40kHz frequency response means you’re capturing a far wider range than most mics can touch. The result? Better depth and a truer sound that includes more high-frequency overtone content. You’ll also appreciate how well the SR40’s true cardioid pickup pattern rejects outside sources, and how it gives you impressive gain before feedback.

Guitar

02014-07-16 @ 10:07

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